Pop is supposed to shine, but Tina Win doesn’t just shine—she burns through. Her new single “Try Anything” clocks in under three minutes, and in that short time it captures the rush of a Friday night, the sting of heartbreak, and the thrill of saying yes when you probably shouldn’t.
The track opens with a sly confidence—Win doesn’t tiptoe into the room, she struts. The beat is slick, polished, and downright magnetic, courtesy of producer Joey Auch, who sharpens every synth stab and bassline until they gleam. The mix feels commercial enough to sit comfortably between Dua Lipa and Doja Cat on a playlist. There’s edge in the polish, grit under the gloss.
The lyrics—playful, provocative, and just the right amount of reckless. It’s a track for the curious, the restless, the ones who live with a wink and a dare. Win delivers it all with the kind of vocal swagger that feels earned, not borrowed. You believe her because she’s lived it.
https://music.youtube.com/watch?v=ts3aIv1XePg&feature=shared&feature=xapp_share
Win got the bite of Ke$ha, the sultry undercurrent of early Rihanna, and just enough punk sneer to make you wonder what would happen if Blink-182 had fronted a dance floor banger. It’s this fusion that sets her apart. “Try Anything” isn’t afraid to flirt with chaos, and that’s exactly what makes it addictive.
“Try Anything” follows her 2024 single “What I Want,” a grittier introduction that hinted at her refusal to play nice with pop conventions. Now, with this new release, Win shows she’s not just testing the waters—she’s cannonballing straight into them. Her upcoming EP, due anytime now, promises more of that genre-bending bravado, polished under Joey Auch’s production but always carrying her fingerprints of rebellion.
The industry is already taking notice. In just a short time, Tina Win has racked up coverage in Rolling Stone UK, US Weekly, NYTimes Magazine, SPIN, and a feature with Architeg Prints. Not bad for someone who once interned at Allure and Cosmopolitan, working behind the glossy pages of fashion before deciding to become the headline herself. That editorial background shows up in her branding too—every image, every soundbite feels intentional without being contrived. She knows the game, but she’s not playing by the rules.
And rules are exactly what “Try Anything” toys with. Structurally, it’s a tight pop song—verses that smolder, a chorus that detonates, a bridge that teases—but emotionally, it’s messy in all the best ways. The song feels like sneaking out after curfew, like kissing someone you shouldn’t, like staying out long enough to watch the sunrise with glitter still on your cheekbones. It’s lived-in pop, with bruises and bite marks.
That duality—glam and grit—threads through Tina Win’s entire story. She trained her voice classically from the age of eight, and acted from seven. She’s hustled through rejection, endured toxic industry chaos, and walked away from it all with her head high and middle finger higher. Now she’s betting on herself, and “Try Anything” is her opening hand.
At just 2:41, it leaves you restless, replaying, wanting more. Win’s precision is undeniable. She doesn’t waste a second. Every lyric, every beat hits like a shot of espresso laced with glitter and danger.
And let’s not overlook the commercial savvy here. “Try Anything” is a multi-tool. The chorus is made for TikTok edits, and the polished production makes it ripe for club remixes. True to her word, Win is building songs that live everywhere people live, dance, and feel. That’s not just ambition—it’s strategy.
If this is the opening act, the EP is poised to be the fireworks. With Joey Auch in her corner, industry buzz at her heels, and a growing fanbase that craves both her music and her unfiltered voice, Win is setting herself up not just as a pop artist, but as a pop disruptor.
Tina Win isn’t here to be polite. She’s here to provoke, to seduce, to rewrite the rules of what pop can sound like when it’s unafraid. And if “Try Anything” is her manifesto, consider the message received: she’s not just knocking on pop’s door—she’s kicking it down in heels.
Final word? Don’t just stream it. Live it.
